Lost Cities Ensemble

The musical ensemble Lost Cities is a flexible platform that gives me the opportunity to seek out and express my latest adventures in music and culture.

It functions as an anchor or as a nucleus that creates the foundation from which I can leap into new musical worlds. It is also a way to bring together musicians and friends whom I admire and appreciate. Although the group’s form and orchestration change from time to time, it never loses its purpose: beauty and melody.

Shadows of Perception - (2019)

Composer: James Wylie
Duration: 1 hour 15 minutes
Video trailer

Performers:

  • James Wylie – kamancheh, setar, saxophone, composition/texts

  • Nima Khoshravesh – setar/voice

  • Arman Sigarchi – oud

  • Fausto Sierakowski – alto saxophone

  • Reza Samani – percussion

  • Alexandros Seitaridis – lights and projections

A musical adaptation of the epic poem The Conference of the Birds by the Persian poet Attar. The musical narration unfolds within a dream, through the collaboration of shadow theatre and video projections.

‘Shadows of perception’ comes from the depths of a dream. As is characteristic of these states, it layers meaning upon meaning leaving us free to wander and interpret the symbolism freely. The composition is inspired largely by Attar of Nishapur’s epic poem ‘Conference of the birds’ and loosely follows the form of the poem as the birds embark on a journey which takes them through seven valleys, each representing different states of transformation the birds must undergo on their search for the mythical Simorgh to unify them. In my dream these birds take on the form of birds native to New Zealand as they go in search of a new leader. Attar’s Simorgh is replaced by the Manaia, an important bird like figure from Maori mythology which has the ability to guide and to commune with both the earthly and celestial worlds. Plunging deeper into the dream, we recognise that the birds’ journey begins on Kapiti Island, one of New Zealand’s most important bird sanctuaries, representing one’s place of birth and the shelter of early life. Each valley that the birds must consequently pass parallels phases of a person’s life and concludes with the process of death, in this case reflected in a Great Lake. All this takes place in what seems to be the passing of one day - or one night...

Ghahraman Nameh – Book of Heroes (2019)

Composer: James Wylie
Duration: 1 hour 15 minutes
Video excerpt

Performers:

  • James Wylie – kamancheh, setar, saxophone, composition/texts

  • Nima Khoshravesh – setar/voice

  • Thymios Atzakas – oud

  • Fausto Sierakowski – alto saxophone

  • Reza Samani – percussion

  • Avgerini Gatsi – voice/accordion/ney

  • Hayden Chisholm – alto saxophone

  • Bastian Duncker – baritone saxophone

  • Alexandros Seitaridis – lights and projections

The composition Ghahraman Nameh – Book of Heroes is inspired by mythological figures from the traditions of Greece, Persia, and New Zealand.

The work explores the qualities of these figures, reflecting them from different perspectives and creating a dreamlike relationship in which one character merges with another over the course of an imaginary day — demonstrating the interconnectedness of cultures everywhere.

By examining and absorbing stories such as those of Siavash (Ferdowsi), Odysseus (Homer), and more recent figures like Te Whiti O Rongomai (the Māori spiritual leader), we can discover a sense of strength, purpose, and inspiration that unites us and helps us live through these difficult times. This music is one such effort.

“It was the Darkest of Winter Nights…” (2016)

Lost Cities Meets Ziad Rajab
Duration: 1 hour 10 minutes
Video excerpt

Performers:

  • James Wylie – kamancheh, saxophone, composition/texts

  • Nikos Paraoulakis – ney

  • Thymios Atzakas – oud

  • Ilektra Miliadou – viola da gamba

  • Nikos Varelas – percussion

  • Alexandros Rizopoulos – percussion

  • Fausto Sierakowski – saxophone

  • Ziad Rajab – voice and oud

  • Despina Chamamtzi – projections

A composition based on an original story and imagery that describes the cyclical nature of life — the confusion and blindness people experience when facing it.

The texts were created in collaboration with Ziad Rajab, and the visual material was crafted by artist Despina Chamamtzi (Paris–Athens).

“...We are asleep, and whoever tries to wake finds himself engulfed in the darkest of winter nights...The absence of light makes it cold, and we are unable to see the radiance in one another...”

“Yet Know Yourself but a Snowdrift on the Sand…” (2016)

Lost Cities meet Ziad Rajab
Duration: 1 hour 10 minutes
Video excerpt

Performers:

  • James Wylie – lyra and composition

  • Nikos Paraoulakis – ney

  • Thymios Atzakas – oud

  • Ilektra Miliadou – cello

  • Nikos Varelas – percussion

  • Ziad Rajab – voice/Nashat Kaar

A work for instruments and voice that unites the sounds of the Mediterranean and the Middle East with the poetry of Omar Khayyam and his beloved Rubaiyat.

Notes on “Yet Know Yourself but a Snowdrift on the Sand…”

“The musician is a traveler who passes through many different lands. Sometimes he stops in one of them and stays for a while. On his path he meets people, builds friendships, faces difficulties.

Since he finds himself in an unfamiliar environment, he must live with a new language — one that acts as a window into culture. At first, he will need a translator or a guide, someone to take him by the hand and show him the door to enter. Another time, he will come to a river that he must cross. He will need a bridge.

Now that I find myself in a new environment, I am forced to handle both foreign and familiar languages. But the translation I need is not from one language to another — it is the translation of one person, me, into another, you. I want to understand your language in your own way.

For that to happen, people must share this way — relationships, experiences, and understanding. Then you understand your own language, and I understand you — and in this way, bridges are built.

For this project I invited good friends and exceptional musicians to walk this road together. With their help, I hope to weave a net that connects me with the melody, rhythm, and word expressed in this music.”

— James Wylie, Berlin, 24/11/15